“Sky and earth are a great furnace and nature is a great smith”.
“Sky and earth are a great furnace and nature is a great smith”.
What represent the innumerable mythological figures marked by monosandalism, lameness and other types of afflictions and vulnerabilities to the lower limbs? Several clues indicate an indeterminate state of existence, in the balance between life and death, in the context of an initiatory ritual of rebirth.
Some examples taken from the Greek myths:
–Perseus (monosandalism according to a version of the myth in which Hermes gives him only one sandal).
–Theseus (he retrieves the sandals and the sword of his father Aegeus by lifting the boulder [i.e. the cave or burial mound] under which they had been hidden [i.e. buried]).
–Hephaestus (lameness: soon after being born his mother Hera throws him into the sea from the top of Olympus, and he remains for nine years [time frame that indicates the symbolic gestation that will be followed by the initiatory rebirth] inside a cave [i.e. the burial mound] surrounded by water [i.e. the amniotic fluid]); other lame smiths are Trébuchet (“the limping”) of the Arthurian cycle and Völundr (to which are severed the tendons of the legs) of the Norse myths.
–Zeus (in a myth his tendons of the feet are severed by Typhon).
–Achilles (vulnerable only to the heel).
–Dionysus (he experiences a double birth, the physical one from the body of Semele, his mother, and the initiatic one from the thigh of Zeus, his father).
Theseus lifts the boulder:
Achilles hit at the heel by the deadly arrow:
They are all figures symbolically devoid of the femur (strictly associated with movement and thus with life) of the divine ancestor that will reincarnate in them, the bone that every child, during an ancestral initiatory ritual, had to retrieve from the deepest chamber of the cave or burial mound, the throne hall where was located the skeleton of the predecessor.
The Trinacria, symbol equivalent to the swastica, portrays Medusa’s head and three bent legs to suggest the concept of movement, synonymous with life:
To note the fact that in Crete and Delos was celebrated a dance called “crane” (in reference to the habit of cranes to stand upright on one leg) to which participated young boys and girls: the movements of the dance had to evoke the path of the labyrinth from which Theseus came out after killing the Minotaur, labyrinth from which the hero himself went out dancing its figure.
Why not remember also the famous lameness of the Devil, the result of the intentional distortion applied by the Christians to the divine figures of the legitimate descendant and the reborn ancestor?
Lastly it is necessary to mention some children’s games: the Game of the Goose consists in a labyrinthine and initiatic path, in which is destiny, in the form of dice, that moves the pieces on the squares, which are composed by figures symbol of initiation such as the death, the skeleton, the labyrinth, the well, the prison and the bridge; the Hopscotch consists instead in a numbered path that must be completed hopping on one foot, in which the first square is called earth and the last sky (respectively the entry threshold of the womb of rebirth [i.e. the female principle] and the reaching of the burial chamber of the ancestor [i.e. the male principle], a path of there and back from the earth to the sky.
Comparison between the court of the Hopscotch and a typical burial mound seen from above:
“Children continue to play the game of hopscotch without knowing of giving back life to an initiatory game, whose purpose is to penetrate and manage to come back from a labyrinth; by playing the hopscotch the children descend symbolically in the underworld and return on the earth”.
After the conclusion of the last glaciation, about 12.000 years ago, our ancestors gradually became sedentary and formed throughout Europe tribal societies based on the concept of blood and soil.
“It was customary of our ancestors that the king should also be pontiff and priest”.
All these archaic societies were ruled by a Sacred King – a symbolic incarnation of the Sky, of the Sun and of the metaphysical principle defined with the term Being – and a Sacred Queen – a symbolic incarnation of the Earth, of the Moon and of the metaphysical principle defined with the term Becoming.
“I am that, you are this, this is you, that is me – I am the sky, you the earth”.
Similar examples can be found, at the level of folklore, in the traditional European fairy tales and celebrations where a sleeping virgin is awakened by the kiss of a prince, act that symbolizes the awakening of Nature in Spring when the rays of the Sun kisses and fecundate the Earth.
Sacred King and Sacred Queen, together, represented a complementary duality and during their hierogamy (“sacred marriage”) occurred the symbolic conjunction between the Sky God or Sun God and the Earth Goddess or Moon Goddess, i.e. the metaphysical coincidence of opposites.
The Sacred King (in relation to its sacredness we can remember that in archaic Rome the function of pontifex maximus was still a prerogative of kings) was especially associated with the Sun (the monarchical title “Highness” referred to the sovereigns until recent times was a precise reference to the height of the Sun in the celestial vault) and consequently he embodied the power of the celestial body that illuminates the world and enables all life on our planet: an example of this symbolic function can be found in the knight Gawain of the Arthurian cycle, whose strength continues to increase from dawn to noon to then gradually decrease until sunset: just like the strength of the Sun during its various daily phases.
That’s why in the archaic societies was customary the prohibition to look the Sacred King in the face and in his presence all had to kneel and stare at the ground: it is not possible to stare at the Sun without risking of becoming blind.
“Like the sun, (the king) burns the eyes and hearts and nobody on the earth can stare his face”.
The fact that the very existence of the Sacred King was identified with the annual apparent path of the Sun in the celestial vault explains the reason why he was subject to a ritual killing, real or symbolic, at the end of his annual function, on the day of the Winter Solstice, when the Sun temporarily dies: only after three days his successor, previously selected, was crowned, raised to royal dignity and celebrated.
The golden crown symbolizes the power of the solar rays:
Examples of ritual death of the Sacred King can be found in the myths concerning Achilles and Krishna: they both die after having been simbolically hit at the heel by an arrow, in their only vulnerable point, the tendon of the foot, part of the body that had the same symbolic function of the femur since the tendons allow the muscular movement of the body, synonymous with life.
Over time every archaic society altered the conclusion of the Sacred King’s annual function and the ancestral tradition manifested itself in new forms: in some cases the Sacred King staged an apparent death and isolated himself in a symbolic grave from which he would rise again following the ritual death of a substitute that had obtained the divine role during that last day of kingship; in other cases a symbolic animal was killed in place of the Sacred King; in other cases a wooden effigy that represented the Sacred King was torn down. In these scenarios the Sacred King in charge could confirm his role or hand it down at the end of a selective competition, but in the long run he refused to be killed or replaced and thanks to his authority and the support of his faithful managed to extend his divine mandate indefinitely, until death, and this particular deviation from the original procedure influenced and shaped considerably the institution of kingship during Antiquity and the Middle Ages.
In the most archaic societies both the Sacred King and Sacred Queen were annually selected (a tradition whose vestiges could still be found at the times of the Roman Republic, when two Consuls were elected together each year): these divine roles were embodied by those who proved their superiority in various annual competitions held to determine the qualities and peculiarities, male and female, of the candidates. In this regard we can remember the ancient Olympic Games, that consisted originally in religious ceremonies – over time degenerated into simple sport events without any higher meaning and purpose – having the purpose to annually select, by means of a footrace between young women, the one who would have symbolically incarnated Hera, the Earth Goddess, and, by means of a footrace between young men, the one who would have symbolically incarnated Zeus (whose name preserves the Sanskrit root div- [“day, brightness”]), the Sky God.
Every year the Sacred Queen and Sacred King had to confirm their role or bestow kingship to those who proved to be, inevitably over time, more worthy of it: hence the immortality and eternal youth of the deities.
“The King is dead, long live the King!”
The Book of the Dead of the Egyptians consists in a numerous series of chapters intended to reveal the initiatory process through which a divine ancestor could reincarnate in a chosen descendant.
The Weighing of the Heart:
I will try to interpret some brief quotes that have caught my attention:
“I am the Today.
I am the Yesterday.
I am the Tomorrow.
Through my numerous Births
I subsist young and vigorous”.
Through his numerous rebirths (in this context rebirth and reincarnation are always interchangeable terms) the honourable ancestor has lived in the past, is living in the present and will live in the future, returning periodically to be young, healthy and strong.
“He aspires to eternal life
As is the Sky, without end and without limits.
Because, in truth, to the Sky belongs your Soul,
But the Earth owns its corporal form”.
The honourable ancestor aspires to live eternally through endless rebirths: the soul, i.e. the spirit, is associated with the Sky, since they are both eternal and immutable entities, whereas the body is associated with the Earth, since they are both temporary and mutable entities.
“May my Soul dwell in my Body,
My Body unite with my Soul!”.
The deceased aspires to a rebirth that will necessarily takes place through the reconciliation of the soul with the body.
“Know this, your head will be saved!
It will not be stolen from you, for all eternity!”.
For our ancestors the head was the symbol of the wisdom, memory and identity of a person: the skull had thus an essential role during the initiatory ritual of rebirth, and the text assures to the deceased that his head will be preserved and that his identity will belong again to him by means of future reincarnations.
“In truth, you are the same Horus
shining in the middle of your Cosmic Egg”.
Horus – the child that attempts to accomplish the initiatic ritual of rebirth – and the divine ancestor inside the pyramid – which is like a fetus inside the womb – are the same entity: both are waiting to be born from the cosmic egg.
The cosmic egg wrapped by a snake symbolizes the womb during pregnancy and the umbilical cord:
The ankh was the symbol of life and represented the female reproductive system, intended as universal matrix:
“Horus himself puts you erect
Like many times he has already done, with the sanctified”.
The child puts in erect position – a prerogative of those who are alive and a synonymous of life and return to life – the mummy of the divine ancestor, like many times has already happened in the past.
“Behold, I rise up from the Bowels of the Universe,
And for the second time I come to the world…
I return little child, without father, a new-born…
Nobody will be able to prevent me, when the time will come,
From answering to the questions that I will be asked…”.
The divine ancestor inside the pyramid has finally reincarnated in the body of the chosen descendant which has accomplished the initiation ritual: back in the world of the living and he will be able to answer to all questions concerning the metaphysical truths.
“Your navel is the Realm of the Dead.
Where Light and Darkness are in equilibrium”.
The concept of “navel” (as well as those of “navel of the earth”, “navel of the world”, “center of the earth” and “center of the world”) symbolized the realm of the dead, in this context the pyramid, the place where life and death are in equilibrium, the divine ancestor being not alive but not even definitively dead: he is in an intermediate state between these two, awaiting to be reborn.
“In truth, in the moment when I was born in the world of the Beyond,
A new deity was born: and it was me!
Now, with my own eyes, I can see…
I look around me; I exist.
My vision is clear and piercing.
Erect, I resume the interrupted thread of my existence…”.
The divine ancestor is reborn inside the pyramid, he returns to see with his own eyes and becomes aware of his renewed existence: alive again, he resumes the thread of his existence, interrupted only by a temporary death.
“The Yesterday has generated me.
I create the Tomorrow”.
He who becomes aware of his own cycles of rebirths owns the past, the present and the future.
For Blood & Soil
La Prospettiva di Varg Vikernes
A journey to the golden age