“Sky and earth are a great furnace and nature is a great smith”.
“Sky and earth are a great furnace and nature is a great smith”.
“In my ancestry there is the majesty of kings, who excel in power among men, and the sacredness of the gods, who have the power of kings in their hands”.
After the conclusion of the last glaciation (about 12.000 years ago) our ancestors gradually became sedentary and formed throughout Europe tribal societies based on the concept of blood and soil.
All these archaic societies were ruled by a Sacred King – a living symbol of the Sky, of the Sun and of the metaphysical principle defined with the term Being – and a Sacred Queen – a living symbol of the Earth, of the Moon and of the metaphysical principle defined with the term Becoming. Related examples can be found, at the level of folklore, in the traditional European fairy tales and celebrations where a sleeping virgin is awakened by the kiss of a prince, an act that symbolizes the awakening of Nature in Spring, when the rays of the Sun kisses and fecundate the Earth.
Sacred King and Sacred Queen, together, represented a complementary duality, and during their hierogamy (“sacred marriage”) occurred the symbolic union between the Sky God/Sun God and the Earth Goddess/Moon Goddess, i.e. the metaphysical conjunction of the opposites.
The Sacred King was especially associated with the Sun and consequently he embodied the power of the celestial body that illuminates the world and gives life: an example of such archetypal figure can be found in the Arthurian cycle, where the strenght of the knight Gawain continues to increase from dawn to noon, to then gradually decrease until sunset: just like the strenght of the Sun during its various phases.
That’s the reason why in the archaic societies was customary the prohibition to look the Sacred King in the face – in the same way as it isn’t possible to stare at the Sun without risking of becoming blind – and in his presence all had to kneel and stare at the ground.
The fact that the very existence of the Sacred King was identified with the annual path of the Sun in the Sky explains the reason why he was subject to a ritual killing at the end of his annual function, on the day of the Winter Solstice, when the Sun dies and is reborn at the same time: only then his successor, previously selected, was crowned, raised to royal dignity and celebrated.
The golden crown symbolized the Sun and the power of its rays:
Examples of ritual death of the Sacred King can be found in the myths concerning Achilles and Krishna: they both die after having been hit at the heel by an arrow (poisoned, in the actual ritual), in their only vulnerable point, the tendon of the foot, part of the body that had the same symbolic function of the femur, because the tendons allow the muscular movement of the body, i.e. they allow life. The death of Achilles and Krishna is concretely and symbolically associated with a part of the human body that was synonymous of life (but they will come back to life when their femur will be recovered by a divine child that will enter in their grave).
Over the course of time every archaic society altered, for various reasons, the conclusion of the Sacred King’s annual function, and the ancestral tradition manifested itself in new forms. In some cases the Sacred King staged an apparent death, by isolating himself in a symbolic grave, whereas a substitute obtained his divine role during that last day of reign, to then be ritually killed: at that point the real Sacred King returned to life from his symbolic grave; in other cases a totemic animal took the place of the Sacred King on the sacrificial altar; in other cases was torn down a wood effigy that represented the Sacred King; in these three scenarios the Sacred King in charge could confirm his role or hand it down at the end of a selective competition. In the long run the Sacred King refused to be killed or replaced, and thanks to his authority, his power and the support of his faithful, managed to extend his divine mandate indefinitely, until his death, natural or not, and this particular deviation from the original procedure influenced and moulded considerably the institution of kingship during Antiquity and the Middle Ages.
In the most archaic societies both the Sacred King and the Sacred Queen were annually selected (a tradition whose vestiges could still be found at the times of the Roman Republic, when two Consuls were elected together each year): these divine roles were assigned to those who proved their superiority in various annual competitions held to determine the strenght, beauty, health, wisdom, skills and, generally speaking, the male and female qualities and peculiarities of the candidates. In this context we can remember the ancient Olympic Games, that consisted originally in religious ceremonies (over time degenerated into simple sport events without any higher meaning and purpose) having the purpose to annually select – through a footrace between young women – the one who would have symbolically incarnated Hera (the Earth Goddess, i.e. the Sacred Queen) and – through a footrace between young men – the one who would have symbolically incarnated Zeus (the Sky God, i.e. the Sacred King, whose name preserves the Sanskrit root div- [“day, brightness”]): every year the Sacred Queen and the Sacred King had to confirm their role or bestow kingship to those who proved to be more worthy of it.
Things changed with the subsequent distinction in matriarchal and patriarchal societies:
In the matriarchal societies the first daughter of the Queen was a Princess who inherited the title at birth, whereas her future husband (and future King, after spending some time as a Prince) was chosen/selected among men from other tribes or lands; in these societies the most ambitious sons of the King and Queen will go to other lands in order to marry a Princess or a Queen and thus become themselves Kings (a recurring pattern in myths [some examples: the chariot race between Pelops and Oenomaus to win the hand of Hippodamia and the archery race between Odysseus and the Proci to win the hand of Penelope] and fairy tales).
Odysseus during the archery race against the Proci:
In the patriarchal socities the first son of the King was a Prince who inherited the title at birth, whereas his future wife (and future Queen, after spending some time as a Princess) was chosen/selected among young girls from other tribes or lands (a recurring pattern in myths [an example: the judgement of Paris to decide which goddess was the most beautiful between Aphrodite, Hera and Athena] and fairy tales).
The Judgement of Paris:
In both types of societies the King and Queen will seek to marry their daughters and sons with Princes and Princesses or Kings and Queens of other tribes or lands, in order to unify two royal bloodlines but often also to stipulate alliances and obtain advantages of other sort.
“The King is dead, long live the King!”
The Book of the Dead is an Egyptian funerary text, consisting in a numerous series of chapters intended to reveal the initiatory process through which a deceased person could come back to life.
The Weighing of the Heart:
In this context, I will try to interpret some brief quotes that have caught my attention.
“I am the Today.
I am the Yesterday.
I am the Tomorrow.
Through my numerous Births
I subsist young and vigorous”.
Through his numerous rebirths the honourable dead has lived in the past, is living in the present and will live in the future, returning periodically to be young and strong.
“He aspires to eternal life
As is the Sky, without end and without limits.
Because, in truth, to the Sky belongs your Soul,
But the Earth owns its corporal form”.
The honourable dead aspires to live for all eternity, through endless rebirths. The soul (i.e. the spirit) is associated with the Sky, since they are both eternal and immutable entities, while the body is associated with the Earth, since they are both temporary and mutable entities.
“May my Soul dwell in my Body,
My Body unite with my Soul!”.
The deceased aspires to rebirth (i.e. to reincarnation), that takes place necessarily through the reconciliation of the soul (i.e. the spirit) with the body.
“Know this, your head will be saved!
It will not be kidnapped from you, for all eternity!”.
For our ancestors the head was the emblem of the mind and memory, and therefore of the identity of a person. The skull of the deceased had an essential role during the initiatory ritual of rebirth (i.e. of reincarnation) and the text assures to the deceased that his head will be preserved and that his identity will belong to him by means of future incarnations.
“In truth, you are the same Horus
shining in the middle of your Cosmic Egg”.
Horus is the child that attempts to fulfill the rebirth/reincarnation ritual, the descendant of the noble ancestor inside the grave: they are the same person. The deceased inside the burial mound is like a fetus inside the womb: both are waiting to be born from their cosmic egg.
The cosmic egg wrapped by a snake symbolizes the womb during pregnancy and the umbilical cord:
The ankh was the symbol of life and represented the female reproductive system, intended as universal matrix:
“Horus himself puts you erect
Like many times has already done, with the sanctified”.
The child puts in the upright position (a prerogative of those who are alive) the skeleton/mummy of the deceased, like many times his previous incarnations have done in the past. The vertical position is synonymous with life and return to life.
“Behold, I rise up from the Bowels of the Universe,
And for the second time I come to the world…
I return little child, without father, a new-born…
Nobody will be able to prevent me, when the time will come,
From answering to the questions that I will be asked…”.
The deceased in the grave is reborn in the body of his young descendant who has completed the initiatory ritual of reincarnation. The noble ancestor is back in the world of the living and he will be able to answer to all the questions concerning his previous existence.
“Your navel is the Realm of the Dead.
Where Light and Darkness are balanced”.
The concept of “navel” (as well as those of “navel of the earth/world”, “center of the earth/world”, “center of the cosmos” and “cosmic mountain”) symbolized the realm of the dead, namely the burial mound. Life and death are in equilibrium inside the grave, the deceased is not alive but not even definitively dead: he is in an intermediate state between these two, awaiting for his rebirth.
“In truth, at the moment when I was born in the world of the Beyond,
A new deity was born: and it was me!
Now, with my own eyes, I can see…
I look around me; I exist.
My vision is clear and piercing.
Erect, I resume the interrupted thread of my existence…”.
The deceased is reborn as a deity, inside the burial mound. He returns to see with his own eyes and becomes aware of his renewed existence. Alive again, he resumes the thread of his existence, interrupted only by a temporary death.
“The Yesterday has generated me.
I create the Tomorrow”.
He who becomes aware of his own cycle of rebirths owns the past, the present and the future!
For Blood & Soil
La Prospettiva di Varg Vikernes
A journey to the golden age