Words of Wisdom #62

“<<Let me point out>> said Yuan Xian <<that being devoid of goods means only to be poor. Being miserable means not being able to put into practice one’s own knowledge. I am poor, but not miserable>>. Zi-gang recoiled blushing. Yuan Xian added laughing: <<Behaving to please the world, being everyone’s friend, studying to become someone, teaching for selfish purposes, doing evil under the cover of goodness and equity, walking in sumptuous garments, these are the things that I will never accept to do>>”.

-Zhuangzi

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About Zeus and Typhon

For our ancestors the femur was a symbol of movement and thus of the life force, especially in relation to the prehistoric burial mounds (inside which have been found cases of missing femurs) and the initiatory ritual of rebirth that took place inside them. In this article I will try to unveil the symbolic relation between these archaeological finds and the myth of the battle between Zeus and Typhon.

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Typhon is a monstrous creature described in different ways by the various ancient sources, but generally speaking he was a gigantic winged monster with an at least partially serpentine shape.

Typhon:
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I can simplify by saying that for me Typhon is a symbolic incarnation of Death. In the mythical tale Zeus figths with Typhon and tries to kill him, but the monster manages to sever the tendons of Zeus’ hands and feet, therefore immobilizing the god. The key in this context is to understand that the tendons fulfill the same symbolic function of the femur in relation to the ability to move and to the life force of an individual: the tendons perform in the myth the same role that the femur performs in the ritual. Zeus is immobilized, alive but at the same time symbolically dead, awaiting his rebirth (i.e. awaiting to regain the ability to move), exactly like the divine ancestor inside the burial mound.

It will not surprise the fact that at that point Typhon will bring Zeus inside a cave (i.e. the burial mound), where he will hide the tendons of the god inside a bear’s skin (an extremely archaic symbolism, that originates directly from the primordial Bear Cult practiced by the Neanderthals long before the end of the last Ice Age). The cave (i.e. the womb of the earth) is the Korykion Antron (“cave of the leather sack”, from korykos, “leather sack”) and is protected by the dragoness Delphyne (from the syllable delph, “womb”).

The Korykion Antron:
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The korykos (“leather sack”):
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But finally Hermes (name that etymologically means “stone”, while the Greek word hermaion described both a fortunate man and a pile of stones [perhaps originally in reference to the dolmens, i.e. the burial mounds?]) manages to enter the cave (he is a psychopomp god with the privilege of being able to access and return freely from the realm of death) and to recover the precious tendons: immediately Zeus regains the ability to move (i.e. he returns to life after an apparent and symbolic death) and defeats Typhon (i.e. Death) once and for all; the divine child (i.e. Hermes/Odin) has found the femur of his ancestor inside the mound, and by means of an initiatory ritual has achieved a superior and transcendent spiritual state: he remembers and is aware of his previous existences and consciences, which now are, at the same time, distinct and unified realities in the shape of this reborn divine being.

Words of Wisdom #60

“My heart of silk
is filled with lights,
with lost bells,
with lilies and bees.
I will go very far,
farther than those hills,
farther than the seas,
close to the stars,
to beg Christ the Lord
to give back the soul I had
of old, when I was a child,
ripened with legends,
with a feathered cap
and a wooden sword”.

-Federico García Lorca

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Some Cases of Burial Mounds (Part 3 of 3)

Troy, also called Ilion, is both an ancient historical city and a mythic city, precisely the theater of the Trojan War in the Iliad. However, the Troy of the renowned epic poem is a symbolic city and it represents the burial mound, i.e. the realm of death.

Since ancient times the name “Troy” has been associated with labyrinths, and the prehistoric European symbol of the labyrinth is a figure that symbolizes the grave of the honourable ancestor. For example, several turf mazes (structures shaped like a labyrinth) in England were named “Troy”, “Troy Town”, “The City of Troy” or “The Walls of Troy”. Caerdroia (“City of Troy”) is the Welsh name for Troy and in medieval times a Caerdroia was a turf maze. Several similar turf mazes in Scandinavia have names such as Trojaborg, Trojaburg, Trojborg, Tröborg and Trojienborg, which can all be translated as “City of Troy”.

It follows that the mythological Troy is closely connected to the prehistoric labyrinth/burial mound/realm of death.

Comparison between the representation of a Troy Town and a typical burial mound seen from above:
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Therefore the Iliad describes the entry in the burial mound/realm of death (i.e. Troy), and the Achaeans fail to breach the walls of the city until they hide themselves inside the Trojan Horse. The horse is a chthonic animal and the dead were often buried with their best horse: a horse would surely gained access inside the grave (i.e. Troy). So the Achaeans can pass through the gates of Troy only if “accompanied” by the Trojan Horse (equivalently to the Argonauts that could reach Colchis only by means of the ship Argo, that in terms of symbolic function is identical to the Trojan Horse), similarly to Odin that can enter in Hel only if “accompanied” by Sleipnir, his steed. The ritual revealed through these myths is the one of the child that enters the prehistoric cave to accomplish the initiation ritual, and walks inside it “accompanied” – among other animals – by the horses portrayed in the cave paintings.

Prehistoric cave paintings portraying horses:
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In the Iliad, the city of Troy represents the burial mound/cave in which took place the initiatory ritual of rebirth. Helen, Andromache and Hecuba are three aspects of the sorceress/priestess who welcomed the initiate in the deeper area of the burial mound, they are the three Moirai (“moira” means “destiny, fate”) who preside over destiny and should be seen – respectively as girl, wife and old woman – as a tripartite manifestation of a single figure, similarly to the waxing moon, full moon and waning moon: three aspects of the same entity. Together they symbolize the eternal cycles of death and rebirth that occur in all that exists in the Universe.

Helen of Troy:
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In the poem the weapons and the armor are an essential part of the identity of a hero, and the fact that in the poem is recurrent the act of obtaining honour by taking possession of the weapons and armor of the defeated enemy – especially when they belong to a strong, glorious and honourable warrior – should be compared to the initiated child that inherits the weapons (along with other objects) of his honourable ancestor, at the conclusion of the initiation/rebirth ritual inside the burial mound.

Under this point of view the Achaeans are the descendants, whereas the Trojans are the ancestors.

At a certain point of the poem, Achilles reveals the prophecy that hangs over him:

“My mother, Thetis with silver feet, speaks to me about two destinies that lead me to death: if I stay here to fight around the walls of Troy, I will never return but eternal will be my glory; if instead I return home, in the fatherland, for me there will be no glory, but I will have long life, it will not reach me soon the destiny of death”.

-Achilles to Odisseus in the Iliad

The meaning of this sort of prophecy is this: if Achilles (as previously understood, the heroes of the mythologies should be seen, in many cases, as children) will not go inside the burial mound/realm of the dead to face the initiation ritual, his current self will remain as it is, incomplete, formless and without a definite identity, until his natural death, and he will live without honour and glory, excluded from the cycle of rebirths inside the ancestry. If instead Achilles will face the initiation ritual, then his current self will die soon after (when he will enter in the burial mound, since only the dead can access it), to later be reborn as one of his ancestors (through the surfacing of the memory of the blood, i.e. the memory of his previous lives), in this way obtaining the honour and glory of the ancestry.

The Trojan War lasts nine years and ends during the tenth: nine months of pregnancy and finally the birth (i.e. rebirth/reincarnation at the end of the initiation ritual).

The triumph of Achilles after defeating Hector:
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***

Perseus is one of the most important mythic heroes of the Greeks, famous for having beheaded the Gorgon Medusa: to accomplish this feat he first sought out the three Graeae, old sisters who shared the possession of only one eye and one tooth, lived in a cave from which neither the Sun nor the Moon could be seen (i.e. the burial mound) and were described as “virgins similar to swans” (i.e. dressed in white).

The Graeae and the Moirai of the Greeks are equivalent figures, as well as the Parcae of the Romans and the Norns of the Nordics: they are the Sorceresses who welcomed, inside the burial mound, the candidate to the initiation, and all are groups of three women who preside over destiny, in the sense that they decide what will be, on the metaphysical plane, the destiny of an individual.

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They are associated with the color white and therefore with the swan: in addition to what we have already learned, in this context, about the Graeae, we know that the Moirai are described as “dressed in white”, while the Norns live near Urðarbrunnr (“well of Urðr”, i.e. “well of destiny”), where they establish the destiny of men; near this well live two swans from which has descended the race of birds who bear this name. The Sirens of the Greek mythology are another group of three women with the same characteristics: they are Parthenope (“the virgin”), Leucosia (“the white”) and Ligeia (“with a clear voice”). Again in the Norse mythology we find the valkyries (“the ones who choose the fallen”) Svanhvit (“white as a swan”), which offers a sword to Ragnarr and urges him to accomplish great deeds, and Alvitr (“omniscient”), her sister, which spin the linen after having laid their “shape of swan”; another relevant valkyrie in this context is Alruna (from Proto-Germanic *aliruna, composed by runa [“secret”] and the prefix -ali): omniscience and runes (i.e. secret metaphysical knowledge), spinning and the color white are always specific attributes of these figures that we find in the European mythologies. The color white was related with the dead, because they were buried with white clothes, their dead bodies became quickly very pale, and they were purified by death (white is also the color of purity and purification): to get access and remain inside the burial mound the Graeae/Moirai/Parcae/Norns had to be dressed in white, as well as the dead and to be symbolically dead. The swan was seen as a chtonic and psychopomp animal, because it is completely white and lives in the waters (purifying and regenerator element that symbolizes the amniotic fluid), at times indicated in the European mythologies as portals or passages to reach the realm of death, and it is also a migratory bird, the migration being a periodic and regular movement linked to the alternation of the seasons and associated with the cycles of death and rebirth.

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Now let’s go back to Perseus: he steals the eye of the Graeae and, in exchange for it, forces them to reveal the way to kill Medusa and thus the location of the objects needed for that purpose (i.e. the personal objects with which was buried the honourable ancestor): the winged sandals (because Perseus is – exactly like Hermes – the child/bee who enters the burial mound/beehive), the helm of invisibility (another object that allows access to the burial mound, since invisibility is synonymous with death), the harpe sword, the mirrored shield and the leather sack to safely contain Medusa’s head.

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We find a similar situation in the Norse mythology, when Odinn is forced to leave one of his eyes as a pledge in Mímisbrunnr (“well of memory”), in exchange for the possibility to drink the sacred liquid (mead, according to the Völuspá) in it contained. We can better understand these mythological episodes knowing that the candidates for the initiation could access to the realm of death (the burial mound) exclusively if they brought with them the body of a dead, because only the dead had the right to enter that sacred place; the children had to possess and show a mistletoe (an evergreen plant, thus symbol of immortality), the dead Sun (i.e. Apollo/Baldr) throughout the cold season.

The eye of Odinn and the eye of the Graeae stolen by Perseus hide precisely this symbolism, because the Sun is the eye of the Sky (Homer describes the Sun as “the all-seeing eye of Zeus”, in the Egyptian mythology the Sun is the eye of Ra, in the Hindu mythology Surya [“the supreme light”] is the eye of Varuna, in the Persian mythology the Sun is the eye of Ahura Mazda, in the Japanese mythology Amaterasu – the goddess of the Sun – is born from the eye of Izanagi, the Sun is the eye of the Indo-Iranian god Mitra). Both Odinn and Perseus use a mistletoe bough to obtain a metaphysical wisdom through the remembrance of their previous lives: one by means of the vision of the personal objects he possessed in a previous life, the other by means of the sacred liquid of memory.

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Finally, Perseus finds and beheads Medusa avoiding her gaze that turned people to stone, by looking at her reflection in the mirrored shield. Medusa’s head, with snakes instead of hairs and whose eyes had the power to petrify every living creature (an equivalent figure is the Basilisk, a medieval legendary snake with the ability to petrify what meets its gaze), symbolizes the placenta, which calcifies after a certain time, causing the death and calcification of the child, who literally becomes stone if he stays too long in the womb.

Medusa’s head and the placenta:
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The beheading of Medusa symbolizes the sudden and violent severing of the bond between the reborn divine child and the maternal phase of existence, i.e. the severing of the placenta. At that point the initiate must get out as soon as possible from the burial mound (i.e. the womb of the earth), without looking back, fatal action that would compromise the whole initiatory and metaphysical process!

“Perseus with the head of Medusa”, masterpiece of Benvenuto Cellini:
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Part 1: Some Cases of Burial Mounds (Part 1 of 3)
Part 2: Some Cases of Burial Mounds (Part 2 of 3)

Words of Wisdom #58 & #59

“It is difficult to fight against desire: what it wants, in fact, it buys it by paying with the soul”.

-Heraclitus

“Discipline is a limit and a condition of our liberty, in order to conform both to a precise ethics of life and the will of a leader”.

-Corneliu Z. Codreanu

Live always your life as if a specific person that you hold in high regard was watching you: by doing so you’ll become virtuous and you’ll be able to tame the beast of degeneration!

michelangelo-raffigurato-come-eraclito-2corneliu-zelea-codreanu-si-vacarestenii

Le Besoin d’Impossible

The first book published by Marie Cachet, Le Besoin d’Impossible, is a multiform work in its implications, but despite this it can be defined as a whole as a purely philosophical work. In this article I will not write a typical review, I plan instead to outline and expose the issues that have mostly caught my attention during the study of the book (yes, it requires to be studied and not merely read…).

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Let’s start from an assumption that, although discussed and deepened by the author in another context, is essential for a thorough understanding of the work that concerns us now: the modern European man – biologically speaking – is a slightly hybridized Neanderthal man (actually, every modern human being is a more or less hybridized creature, but since I am a European I will refer, when necessary, only to the European species). However, what does this have to do with questions of philosophical nature? According to Marie Cachet one of the consequences of this hybridization, even after its stabilization, was the birth of a metaphysical vertigo/despair, a disharmony of the mind (here is to be found, perhaps, the cause of the birth of consciousness?) that manifested itself simultaneously with the dramatic transition to a temporal (and thus finite) perception of the Universe. A real “fall” that took us far from the possibility of fathom and living the concepts of eternity (intended as the atemporal point that we call instant) and infinity (intended as spatial infinity).

At that point, however, our ancestors (as well as us today) tried instinctively, unconsciously and obsessively to compensate this metaphysical despair without being overwhelmed by the “terror of time”: an explosion of human dynamism, individual and collective, led progressively to the birth and development of civilizations, arts, sciences, spiritualities, religions and philosophies, all attempts to recreate the lost harmony of the mind and extend one’s personality beyond the boundaries of the biological duration of the existence, in an attempt to forge a sort of simulated eternity (the need for the impossible, as suggested by the title of the book).

Examples of materialization of the collective genetic memory of a people, in an attempt to be remembered in time:
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Examples of materialization of the genetic memory of an individual, the sculptor, in an attempt to be remembered in time:
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Therefore, according to Marie Cachet, every external creation as well as all forms of teaching are the manifestation of a deep necessity of the human beings, namely the selfish need to go beyond the yoke of time, beyond the finitude, so as to preserve themselves in time, through other people, symbolic containers of our self, potential reincarnations of our self. Artistic creations and teachings are therefore a means to conquer eternity and defeat the illusion of a finite time. We project our self in the future, through a real or imaginary reincarnation (I refer you to the prehistoric ritual of reincarnation described in detail by Madame Cachet in another context), which in turn will transmit in the future the essence of our self, in an eventual endless chain.

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An essential distinction that emerges during the reading is that between the individuals conscious of their metaphysical despair (active and subjective individuals) and the vast majority of those who are not aware of it (passive and objective individuals), which unconsciously suffer the consequences of this disharmony. The religions (especially the organized religions) and the spiritualities that give us dogmatic and established metaphysical responses, the daily repetitiveness, the social conventions and all the entertainment we create in our societies are, although we do not realise it, tools that distract us and allow us to flee from the metaphysical anguish inherent in us, from the sacred terror that we experience in front of the mystery of the universe and of life. Only by getting rid of all this – especially of what provides us metaphysical answers – and through boredom, certain men will fall into the metaphysical despair and will find their authentic self (through the manifestation of the memories of our previous lives, memories engraved and latent in our blood), their true essence, undergoing a sort of “awakening”: achieved this superior spiritual and mental state, a deep impulse will force them to find their subjective responses to the fundamental dilemmas of the world and of life.

What about you? You dare to face the metaphysical abyss?

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***

As I have previously explained, these are just some of the issues discussed in this book (a unique work of its kind), the ones that most involved me: ultimately, I urge you to read it and give shape to your personal opinion.

 

Evola: about Miscegenation and the tripartite division of the Race in Body, Soul and Spirit

“While in a “thoroughbred” horse or cat the biological element constitutes the central one, and therefore to it can legitimately be narrowed down every racist consideration, this is certainly not the case for man or, at least, for every man worthy of this name, which is yes a biological and antropological reality, but connected to elements and forces and laws of different character, superbiological, as real as the first and whose influence on the first can often be decisive”.

“The distinction in the human being of three different principles, of body, soul and spirit, is fundamental for the traditional view. Starting from such view, it must be recognized that the inequality of mankind is not only physical, biological or anthropological, but also psychical and spiritual. Men are different not only in body, but also in soul and spirit. In accordance with this, the doctrine of race must be articulated in three degrees. The racial problem must therefore be established for each of the three elements. The racist consideration of man as body, as a purely natural and biological being, is the task that belongs to the doctrine of the race of first degree. Follows the consideration of man inasmuch he is soul, that is the study of the race of the soul. As crowning, we’ll have a doctrine of the race of third degree, that is the racial study of man inasmuch he is not only body and soul, but, in addition, spirit”.

“The racism of first degree, having to consider the bodily data and, in general, that aspect of the human being, according to which he obeys to purely natural, biological, anthropological, constitutional laws and determinisms, can legitimately assume the research methods used, in general, by the natural sciences. In front of the environment the race has a certain amplitude of reaction, the type can mutate, but in a transitory and contingent manner, the same way as an elastic body that regains its shape, once the action of the force that deformed it has ceased. As determinant, essential, decisive and permanent, is however always considered this internal racial hereditary element, always ready to reassert itself”.

“As racism of second degree we must consider a theory of the race of the soul and a typology of the soul of the races. Such a racism has to detect the elements, in their way primary and irreducible, that act from the inside, causing groups of individuals to manifest a constant way of being or “style” in terms of acting, thinking, feeling. Here we arrive at a new concept of the racial purity of a given type: it is no longer the case to see if, like in the racism of first degree, a given individual presents that given group of physical characteristics or, also, generically behavioral, that make it conform to the herditary type, but it is about establishing if the race of the body brought by a given individual is the appropriate expression, in compliance, of his race of the soul, and vice versa. If this occurs, the type is pure also according to the survey of second degree”.

“Consider, for example the phenomenon of the comprehension. In reality there are even too many cases of people, that are exactly of the same race of the body, of the same stock, sometimes even – as brothers or fathers and children – of the same blood in the most real sense, but nevertheless they fail to understand each other. A frontier separates their souls, their way of feeling and seeing is different and against this the common race of the body and the common blood can do nothing. Exists a possibility of comprehension, and therefore of true solidarity, of profound unity, only where exists a common “race of the soul”. Come into question, here, subtle elements, of an instinctive sensibility. While for long years nothing has been suspected, in a given circumstance can happen that a given person with his way of acting gives us the clear feeling that it “is of another race” and, then, there will be nothing more to do with it, there may be, with it, relations of various nature, but always at an intimate restraint, at an intimate distance”.

“We now turn to say something about the racist research of third degree, having for its object, as known, the races of the spirit. This is, indeed, the research of the race according to its ultimate root, wherever we talk about normal civilizations and of superior human lineages; root, already communicating with super-personal, super-ethnic metaphysical forces. For such a research, the specific way to conceive both the sacred and the supernatural, rather than the relationship of man with respect to it, the vision of life in the highest sense, furthermore, the whole world of symbols and myths, constitute a subject matter so positive and objective, as for the racism of first degree are the facial indices and the cranial structures”.

“It is evident that, kept in mind all this, the problem itself of the hybrids and of their effects must be studied much more in-depth compared to what is usually done, as long as the doctrinal field is maintained, without looking for, instead, suitable suggestions for their practical utility. In general, the perniciousness of the hybrids should certainly be acknowledged, and it is of course all the more evident, as much as the racial elements of the two parts are definitely heterogeneous. Then we stress, that the deleterious character of the hybrids is not revealed much in the determinations of degenerate and deformed human types compared to their original race of the body, but especially in the realization of cases, in which interior and exterior no longer match, in which the race of the body can be in contrast with that of the soul and, this, in turn, can contradict the race of the spirit, or vice versa, thus giving rise to dilacerated beings, semi-hysterical, to beings that, in themselves, are no longer, so to speak, none at his home. And when no inner resistance, no awakening of the primordial forming force occurs and, instead, to the previous hybridizations are added new ones, the result is the creation of a true ethnic amalgam, of a disarticulated mass, shapeless, semi-leveled, for which starts seriously to become true the immortal principle of the universal equality”.

Note: you can interchange the term “soul”, in reality quite ambiguous, with any of these terms: “mind”, “character”, “personality”.

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Related posts: Evola: about Work, Economy and LifeEvola: about Christianism, Chivalry and the Nordic-Germanic vision of LifeEvola: about Initiation, Immortality, Death and Rebirth

Thirst for Immortality

Previously we have clarified that the concept of “Tree of Life” (as well as any other type of axis mundi) is a metaphoric image that refers to the placenta. Starting from this premise is easy to understand how the “beverage of immortality” that, in various mythologies, is obtained from the aforementioned tree is nothing but the liquid nourishment (a real “liquid of life”) that from the placenta reaches the fetus by means of the umbilical cord: let’s see some examples.

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In the Vedas and in the Upanishads the soma/amṛta is a juice that drips from the Tree of Life that is believed to grow in certain mountains or in the “navel of the earth” (the concepts of “sacred/cosmic moutain” and “navel of the earth/world” are metaphors that refer to the burial mound, i.e. the realm of the dead), juice capable of conferring immortality to those who drink it: the etymology of the name is related to that of the word “ambrosia” and means “not death, immortality”; in the Persian mythology we find the haoma, another beverage that bestows immortality, obtained in this case too by a Tree of Life that grows in the mountains; similarly to the soma/amṛta and the haoma, the melikraton, a libation composed of milk and honey described in the Odyssey, had the power to reanimate the dead and was compared to the very essence of life.

Note: when we talk about immortality, we are not referring to the indefinite extension in time of an individual biological existence, without the occurrence of changes in the state of being. We refer instead to the possibility that, through a strong emotional shock in the context of an initiatory ritual of rebirth and through an induced awakening of the memory of the blood, the achievement of a transcendent state could bring out into the consciousness of a child the memory and awareness of his previous existences.

In the Greek mythology the ambrosia and the nectar are both foods that enable the gods to be immortals and perennially young: many have suggested that these mythical foods may be identified with honey or mead (i.e. fermented honey), since the ancient sources define honey as the first and primordial nourishment of the gods, while mead was known in antiquity as the beverage of the gods. In my opinion this connection makes sense, even more so when we know that the child who went inside the burial mound (thus becoming a fetus inside the womb of the earth), in order to accomplish the rebirth/reincarnation ritual, carried with him some honey to appease the sorceress/priestess (primordially the she-bear) inside the grave, and he himself had to eat some of that honey: the (symbolical) nourishment of the fetus inside the womb…

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To reinforce what I have just affirmed we can refer to the Norse mythology, where the dew that covers the leaves of the yew Yggdrasill (yes, some ancient sources use the term barr [“needle-shaped leaf”] in relation to its leaves, furthermore the yew is the tree that more than any other can symbolize the placenta, because in it grow red berries that recall the placenta’s red bubbles full of nutritious blood), in poetic language called “mead tree”, has the taste of honey and is compared to mead. Bees feed themselves with Yggdrasill’s leaves and, as suggested in a previous article, the child who faced the initiatory ritual was symbolically seen as a bee.

The leaves and berries of the yew:
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In the Völsunga Saga is told that in the hall of Völsung’s house there was a big apple tree (the apples hide the same symbolism described above in relation to the red berries of the yew, they are the source of the “beverage of immortality”), whose branches protruded from the roof: this tree was called Barnstokkr (“children’s trunk”, i.e. the placenta).

Barnstokkr and an apple tree:
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The Indo-Iranian god Mitra is born from a rock (“petra genitrix“, originally the burial mound and during classical antiquity the underground temple/cave called “mithraeum”: both symbols of the womb) surrounded by a serpent (i.e. the umbilical cord), near a sacred spring (i.e. the amniotic fluid and/or the liquid nourishment of the placenta) and under a sacred tree (i.e. the placenta).

Now, why not throw into the fray the symbolism of the horn, that in specific cases represents the umbilical cord (i.e. the bond that unites and makes interact the ancestors with the descendants)? First, the cornucopia (“horn of plenty”), a very explicit symbol in relation to the nourishment (of the fetus in the womb); in this context it is relevant to remember the Hindu myth in which the devas and the asuras grab the opposite ends of Vāsuki, the cosmic serpent wrapped around Mount Meru, and twist it to obtain the soma/amṛta.

Then the Sigrdrífumál (a section of the Poetc Edda), where Sigrdrífa after being awakened offers to Sigurðr the minnisveig, the “beverage of memory” (i.e. the memory of previous lives), a horn (i.e. the umbilical cord) full of mead (whose symbolism, in this context, we have already examined earlier). Lastly, the figure of Mímir (“memory” [of the previous lives]), the possessor of Mímisbrunnr (“well of memory”, located beneath one of the three roots of Yggdrasill): every morning, using the horn Gjallarhorn, he drinks the precious and sacred liquid (mead, according to the Völuspá) contained in the well of wisdom (wisdom is equivalent to memory); also Odin managed to get the chance to drink a sip of that liquid.

I conclude my dissertation with the Grail (or Holy Grail if you prefer), traditionally known as a cup/chalice whose content has vivifying and healing virtues: are you thinking what I am thinking? The cup/chalice and the tree have a very similar shape and, taking into consideration the virtues of the Grail, we can assume that this important object of the Arthurian cycle symbolizes the placenta and its life-giving liquid nourishment.

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It should also be noted that in certain late medieval sources the Grail is called Sangréal: in Old French, san graal and san gréal mean “holy grail” and sang réal means “royal blood”; indeed the blood full of nutrients contained in the placenta is “royal” and “divine” blood, not an ordinary one. In this context will be good to remember that for our ancestors wine was a symbol of blood, specifically in reference to what I have just explained about the function of the blood contained in the placenta: that’s the reason why Odin, the symbolic fetus, only needs wine to feed himself.

Now you will be able to see with different eyes the Christian rite of the Eucharist, during which a mass of crazy fanatics drinks Christ’s blood from a chalice full of wine…

<<What the fuck I’m doing?!>>:
gpii-eucaristia

Lost Wisdom

The only video interview at our disposal – with English subtitles – where Julius Evola, for about an hour, discusses a wide range of subjects from him already deepened in his most important books. A precious and valid record that I wish to share with my readers:

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Related posts: Evola: about Work, Economy and LifeEvola: about Christianism, Chivalry and the Nordic-Germanic vision of LifeEvola: about Initiation, Immortality, Death and Rebirth