“Remember that you are an actor who interprets a part in a drama that is like the playwright wants it to be. A short part, if he wants it to be short, long if he wants it to be long. If he wants you to interpret the part of a beggar, try to interpret this role with skill: or that of a lame, or of a magistrate, or of a private citizen. Indeed this is your task: to interpret well the role that has been assigned to you. But the choice of this role is up to someone else”.
Maybe it will be useful to remember that the “playwright” to which Epictetus refers is nothing else than the Logos, the Universal Law, the divine essence that flows through all matter in the Universe, the reason, order, logic, necessity and harmony that govern the Cosmos (from Greek “kósmos”, “order”, in reference to an orderly and harmonic system). There is no randomness, everything is in its right place, as in heaven so on earth, as in the macrocosm so in the microcosm, though apparently it may seem the opposite is true. It is not the first time that I propose such a vision of destiny, according to which literally everything that happens during our individual lives has been predisposed and “sewn” for us, without there being any real free will and any real possibility of forging our own destiny in the meaning that we usually give to this potentiality. However, even if we assume that this is the truth, i.e. predestination, we can not but acknowledge that we live inside a sort of illusion, of such a power that we can’t live even a day without acting and thinking as if we were the real masters of our destiny. In this perspective the best thing to do would be to see our being (our external appearance and the way in which we tend to think and act) as the result of our previous lives, of our conduct in a previous existence. So we start with a basis, a form that comes from the past, but we can choose in which way we should live our lives and act accordingly, affecting in this way – for the better or for the worst – what will be our future existence.